Before she was inspiring middle schoolers to love math, South Hills Middle School teacher Karen Smith was performing on stages alongside iconic artists like Stevie Wonder, Yo-Yo Ma, and John Williams.
On this episode of the Supercast, we sit down with Ms. Smith to explore her incredible transition from freelance cellist to dedicated educator. Hear how she traded life onstage for a second career in Jordan School District and learn how her unique journey helped her find a passion for teaching math that runs as deep as her love for music.
You can catch Karen Smith play with the Sinfonia of Salt Lake on Sept. 14. Find more information on the Sinfonia Salt Lake website.
Audio Transcription
Karen Smith:
I played with Andrea Bocelli and Yo-Yo Ma. And...
Anthony Godfrey:
You played with Yo-Yo Ma?
Karen Smith:
Yeah, on my birthday actually.
Anthony Godfrey:
What do you love most about teaching math?
Karen Smith:
Well, where do I start? Teaching math is awesome. I love math, first of all. It's just so fun. The way everything works, it's like a giant puzzle.
Anthony Godfrey:
Hello and welcome to the Supercast. I'm your host, Superintendent Anthony Godfrey. Before she was inspiring middle schoolers to love math, South Hills Middle School teacher Karen Smith was performing on stages alongside iconic artists like Stevie Wonder, Yo-Yo Ma, and John Williams. On this episode of the Supercast, we sit down with Ms. Smith to explore her incredible transition from freelance cellist to dedicated educator. Hear how she traded life on stage for a second career in Jordan School District and learn how her unique journey helped her find a passion for teaching math that runs as deep as her love for music. We're talking today with Karen Smith, who teaches math here at South Hills Middle School and is an extraordinary cello player. Introduce yourself and tell us a little bit about your career.
Karen Smith:
My name is Karen Smith. I'm super happy to be here. I started my career as a musician, so I was a professional cellist first, and that started with . . . after getting my bachelor's degree in Texas at Rice University, my husband actually won a Fulbright to study French horn in Munich. So I went with him and studied cello there. And after about a year I got a job as, it's called a practicontan, which is like an intern at an orchestra called the Württemberger Schaffel-Hermany-Reutlingen. And so I did that for a year, studied in Germany, took some auditions. We kind of got tired of being completely broke and having no money. So we wound up coming back to America and made a home in Texas in Dallas this time, and taught a bunch of lessons there but also had our freelance careers there. So for about 17 years I was freelancing in the Dallas area. I got to do a lot of fun stuff.
Anthony Godfrey:
What does freelancing look like? When you're a freelance musician in the Dallas area, what does that look like?
Karen Smith:
It is incredibly different all the time. So, one day you're playing a concert on stage just standard classical rep with the Fort Worth Symphony and the next day you're playing a church service and the next day you're playing a recording session for a movie score and then maybe a couple days after that year playing a rock concert. It's just all kinds of stuff. Oh, and then maybe like a wedding or a party or...
Anthony Godfrey:
So the whole range?
Karen Smith:
The whole range, yep.
Anthony Godfrey:
And was Dallas a fertile area for you to be able to play cello frequently?
Karen Smith:
It was. It was a great place for freelance work.
Anthony Godfrey:
So tell me, since I'm a pop culture junkie, about some of the movie soundtracks and the concerts that you've played.
Karen Smith:
Okay, so the movie score that I recorded that is most well known, is not that well known. It's for a movie called “A Ghost Story” that starred Casey Affleck, if anyone's familiar with that. And other concerts I've played with people that you might have heard of. My very first rock concert ever was with Don Henley, the lead singer of the Eagles. That was when I was in college. I had no idea who the Eagles were at that point.
Anthony Godfrey:
So were you playing “The Heart of the Matter” in the background there? What did you play?
Karen Smith:
I think it was called “Remember the River” or something. And then I played a concert with Tommy Lee, the drummer from Motley Crew.
Anthony Godfrey:
Motley Crew. Yes.
Karen Smith:
Yes. So he used to have a reality TV show called Rockstar Supernova. And the winner of Rockstar Supernova's prize was to go around the country playing concerts with Tommy Lee. And they hired a string quartet at every stop, and one of the stops was Dallas, so we played a string quartet with Tommy Lee. That was my first ever fist bump on stage, by the way. I had never had a fist bump before, because you know when we were kids, we didn't do that, right? It was like high five.
Anthony Godfrey:
When you played with the symphony, you didn't do a fist bump?
Karen Smith:
There are no . . .
Anthony Godfrey:
No fist bumps as the guest conductor walks off stage, there wasn't a fist bump to the first chair.
Karen Smith:
I feel like there should be.
Anthony Godfrey:
There really should be. But Tommy Lee, the fist bump, that makes sense.
Karen Smith:
Yeah.
Anthony Godfrey:
Did he throw like drumsticks into the crowd and you threw your bow into the crowd? Or how exactly did that work?
Karen Smith:
My bow cost more than his drumsticks.
Anthony Godfrey:
Okay. I hope that's fair. That would be a bad idea. So you played for Tommy Lee, but it sounds like he was nice.
Karen Smith:
He was nice.
Anthony Godfrey:
And how was Don Henley?
Karen Smith:
Super nice.
Anthony Godfrey:
Yeah.
Karen Smith:
Yeah.
Anthony Godfrey:
Now I understand that on these sorts of gigs, you don't get a lot of notice. It's not like you're practicing for weeks and weeks. It's like, “hey, we need you tomorrow.” Tell me about what the timing looks like.
Karen Smith:
Oh, and sometimes you do get called a little bit more beforehand, but what you don't get ahead of time is the music. Usually you walk in and then the music is on the stand and they're like, “well, this is what you play.” So you have to be adept at sight-reading, being able to play the music the first time you see it. That's just part of our skill set as freelance musicians.
Anthony Godfrey:
And how would you find work as a freelance musician? Would it be word of mouth? Is that mostly what it is? I assume you don't go on Facebook Marketplace and say, "We'll play water music for whatever."
Karen Smith:
It is absolutely word of mouth. So it's helpful if you have like one or two connections in an area when you move there, and they can like vouch for the fact that you are -- you can play your instrument and that you will arrive on time and not just totally forget and sleep through it and be there with a good attitude also. As you can imagine, it's really competitive to get any work. So if you mess up one of those things, you're done.
Anthony Godfrey:
Now, you said that your husband played French horn, and I understand that, as I've talked with performers over the years, that the brass has a certain kind of personality. The strings have a kind of personality. So do French horn players generally get along with cellists, or is this a rare combination?
Karen Smith:
That's so funny that you ask that. Yeah, brass players are known to be a little sillier than string players. String players are known to be kind of more serious. Yeah, I should say at this point that my mom is also jealous of my dad as a trombone player, so the whole like brass string thing works well in my family.
Anthony Godfrey:
Okay, so you were just following tradition.
Karen Smith:
Sure, yes.
Anthony Godfrey:
Oh, that's great. So did any of your jobs overlap, you and your husband's work?
Karen Smith:
Believe it or not, only once or twice. Yeah, we were just always going different directions.
Anthony Godfrey:
Wow, okay. So what was maybe your favorite gig as a freelance artist or one of your favorites.
Karen Smith:
My very favorite was a concert I got us to play for the Fort Worth Symphony where John Williams was conducting.
Anthony Godfrey:
Oh my goodness. You got to perform under John Williams?
Karen Smith:
Yes, yes, we played a bunch of John Williams music under John Williams conducting and it was just fantastic. I mean Star Wars, ET, Harry Potter, Indiana Jones, it was, it was amazing.
Anthony Godfrey:
That is wild. So tell me about the schedule for that performance. When, when did you find out this was going to happen and what was he like?
Karen Smith:
Okay. So I did not get much notice for this one. The reason I got called at all was there was a woman who was a member of that cello section whose mother unfortunately passed away. And so at the last minute they needed a sub. And they called me the day before the first rehearsal. So I got the music a day before the first rehearsal. And then that was two days before the concert. So I think that's right. It might have been one day before the concert also. I believe there were two rehearsals and then the concert. So it was quick.
Anthony Godfrey:
What was it like working with John Williams?
Karen Smith:
John Williams is, oh, he's amazing. He's so warm and supportive and encouraging, and he's just magnificent. Like, I've got nothing bad to say. He's just amazing.
Anthony Godfrey:
Was he trying to accomplish anything different with that performance, or was he trying to evoke what people were expecting from music that they've loved for a long time?
Karen Smith:
I think he was having us play it just the classic best way. So it sounds just like on the soundtracks. And that's what we wanted.
Anthony Godfrey:
That's the way to go. Nobody's going to say, “I wonder how he can change these songs that have such memories associated for me.”
Karen Smith:
Absolutely.
Anthony Godfrey:
You've played with Don Henley, you've played with Tommy Lee, you've played with John Williams. Who are some of the other famous people that you've played with?
Karen Smith:
Let's see, I've played with Stevie Wonder twice. The first time was when I was 18, the 1996 Olympic Games came to Atlanta, which is where I'm from.
Anthony Godfrey:
When you were 18, you played?
Karen Smith:
Yeah.
Anthony Godfrey:
Wow.
Karen Smith:
That wasn't for money, that was with my youth orchestra, but it was fantastic. It was televised as part of the closing ceremony to the Olympics. And he sang "Georgia."
Anthony Godfrey:
Oh, really?
Karen Smith:
Yeah, that was great.
Anthony Godfrey:
And what else have you, what else did you perform with him?
Karen Smith:
Maybe 10 years ago, he was doing his Songs in the Key of Life Tour, and he came through Dallas when I was living there, and he had a string ensemble play with him. We did "Isn't She Lovely?" and I think "Pastime Paradise."
Anthony Godfrey:
Really? Did you do "Superstition?"
Karen Smith:
We only got to play those two with him. He did a lot of numbers without us.
Anthony Godfrey:
Well, I don't know how the cello would fit into that song, but I can't believe he did his Songs in the Key of Life Tour, and I didn't know about it. I did get to see him once, but there was no symphony with him. That's fantastic. Anyone else?
Karen Smith:
Yeah, I played with Dierks Bentley, the country singer. In 2015, the Academy of Country Music Awards was hosted in Dallas, instead of where it usually is in Nashville. And so they needed a few string players to be on television with Dierks Bentley playing a song called "Riser." So that was really fun to see the whole production element and just be in Cowboy Stadium, packed with people. It was really cool.
Anthony Godfrey:
The production element of an award show.
Karen Smith:
Of an award show on live television, yeah.
Anthony Godfrey:
That's incredible. So you have some range. Tommy Lee, country, John Williams.
Karen Smith:
Yeah, cello can really go anywhere, which is super fun.
Anthony Godfrey:
There's always room for cello.
Karen Smith:
Yes, there's always room for cello. I've played with Andrea Bocelli and Yo-Yo Ma.
Anthony Godfrey:
You've played with Yo-Yo Ma?
Karen Smith:
Yeah, on my birthday actually.
Anthony Godfrey:
Who's it like around the campfire? Like, let's jam, let's grab our cellos.
Karen Smith:
Totally. I mean, he would do that.
Anthony Godfrey:
He would do that.
Karen Smtih:
He would do that.
Anthony Godfrey:
When did you play with him?
Karen Smith:
It was with the Fort Worth Symphony. He was playing the Dvorak Cello Concerto, and I was in the cello section just enjoying every moment.
Anthony Godfrey:
How do you focus on playing when he's right there?
Karen Smith:
It's not easy, but also you don't want to mess up in front of him, right?
Anthony Godfrey:
Right. That's true.
Karen Smith:
So you just make it happen.
Anthony Godfrey:
Yeah. Well, nothing will put you in the zone, I guess, than like playing for Yo-Yo Ma or playing with him.
Karen Smith:
Absolutely. It's very inspiring.
Anthony Godfrey:
Wow. That's a storied career. Cool. Who are some of the people, famous people that you've taught math with?
Karen Smith:
That list is unfortunately very short. That's a much shorter list.
Anthony Godfrey:
Okay fair enough. I know that you don't perform as much as you used to not nearly as much but you're still performing. What is your next performance?
Anthony Godfrey:
I'll be playing with the Salt Lake Symphonia on Monday, September 14th. We have a concert at the First United Methodist Church in downtown Salt Lake City at 7.30 p.m. We've got some Mendelssohn, some Bach Double Violin Concerto, and a piece by Britain called “The Simple Symphony.” I think it's gonna be great. I'm really excited.
Anthony Godfrey:
So people would just search Salt Lake Symphonia?
Karen Smith:
That's right.
Anthony Godfrey:
Okay, great. And we'll put a link in the show notes as well so people can grab a ticket if they're interested in coming.
Karen Smith:
Perfect, thanks.
Anthony Godfrey:
Stay with us when we come back. We'll hear performances from Karen Smith and about her journey to becoming a teacher.
Male Voice:
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Anthony Godfrey:
So then you switched to become a teacher. Tell me about how that change came to be.
Karen Smith:
Okay, well, after about 17 years in Dallas, We, my husband had switched into the corporate world at this point and he got the opportunity to move to Utah. They didn't tell us we had to, but we decided we want to. We didn't have any family in Texas. And frankly, I hate the weather there. It's so hot, like March to October, it's hot.
Anthony Godfrey:
It's like furnace blow, hot air in your face, all the time hot.
Karen Smith:
Yes, yes. And I also love mountains. So I was like, well, let's go to Utah. So we came out here to Utah and I was trying to get some freelance work. This was about the time that COVID hit, so that was not great. And I started experiencing what it's like to stay home with my family in the evenings, instead of always running around to a gig and getting home between midnight and two in the morning. And I kind of liked it. So at this point, I should also say, I was experiencing some burnout from just being very busy in Dallas. My children were young, they were about five, seven years old. So I started thinking, “maybe I should teach.” And that idea just sounded better and better by the day. So I eventually enrolled in a program through WGU to get my master's in middle school mathematics education.
Anthony Godfrey:
And you've been teaching here at South Hills for your whole career?
Karen Smith:
Yes.
Anthony Godfrey:
And that's six, seven years?
Karen Smith:
I'm starting year eight.
Anthony Godfrey:
Starting year eight. And you were Educator of the Year for South Hills Middle School last year. So I'd say it's gone pretty well.
(laughing)
Karen Smith:
It's gone all right. I love it here. This is a great place to be.
Anthony Godfrey:
What do you love most about teaching math?
Karen Smith:
Well, where do I start? Teaching math is awesome. I love math, first of all. Like, it's just so fun. The way everything works, it's like a giant puzzle. And trying to get students to see that puzzle is like the most amazing thing. I love it.
Anthony Godfrey:
I think that's a really good description. And I'm sure it's rewarding to see the light bulb go on as middle school students get it on various concepts. like, “oh, I figured it out and I know what to do next.”
Karen Smith:
Absolutely, 100%. And we've changed our curriculum recently. We're doing a different style curriculum where they really kind of dive into problems and try to figure out how the problems work instead of us just showing the steps for how to solve everything. And that light bulb moment happens so much more often now. So I'm loving it.
Anthony Godfrey:
Good, I'm so happy to hear that. Do you ever use the cello or music to cross over? I know there's a relationship, but it might be a little weird to pull the cello out in the middle of math class.
Karen Smith:
Yeah, I mean, I wish I could have an excuse to do that, but I haven't figured out how to make that happen and have it actually be relevant to their math learning.
Anthony Godfrey:
So, tell me if I want to sound really cool with a cellist because my brother-in-law plays cello, what can I throw out there? What can I ask him about his cello or the music he's playing that will make me seem like I really know what's going on?
Karen Smith:
Yeah, you could ask him like, what's his favorite recording of the Elgar Cello Concerto? Do you like the Jackie du Prey or the Sol Gebeta better?
Anthony Godfrey:
Oh, okay. I mean, I'll listen back to that and write it down and rehearse it, and then I'll ask him that.
Karen Smith:
Do that.
Anthony Godfrey:
I want to blow him away. That's going to be fun. What would you say, I mean, you've been teaching, like you said, for seven years now. It's your eighth year. What would you say to those who are considering maybe a career change into teaching later on?
Karen Smith:
I would say it can be it can be really rewarding. It's always interesting. It's never boring. The students make sure of that. It is a lot of work. You're on your feet all day and you come home tired but it is totally worth it.
Anthony Godfrey:
We're going to hear you now play two pieces. Tell us about the first piece that you're going to play.
Karen Smith:
We're gonna hear a little bit of the first movement of the cello concerto by the great French composer Camille Saint-Saëns. This is a piece of romantic written in France in the 1800s and I just think it's super exciting. And I'll be accompanied by Eric Noyes who is the choir director at our school. I hope you love it.
Anthony Godfrey:
Well, it lives up to its name. From your description, it is romantic, it does evoke 18th century France, and I didn’t even have any temptation to check my phone, which should say that I was entranced because this time of day I tend to check my phone about eight times a minute. It was so good and I don't know the technique but the tone of the sound was just beautiful. So thank you for sharing that with us.
Karen Smith:
Thank you.
Anthony Godfrey:
And let's hear one more. What else are you going to play?
Karen Smith:
I'd like to play “Bring Him Home” from Les Mis.
Anthony Godfrey:
Okay, here we go.
Anthony Godfrey:
Thank you for sharing your talents with us today. Thank you for those beautiful performances. Thanks to Eric for accompanying you today, and this has been a real treat.
Karen Smith:
Thank you so much.
Anthony Godfrey:
Thanks for joining us on another episode of the Supercast. Remember, “Education is the most important thing you'll do today!” We'll see you out there.
